|
|
STAGE |
|
2003 |
Lysistrata Lah!
(by Aristophanes, adapted and localized by Jonathan
Lim, et al. Dramatized reading coordinated by Jonathan
Lim. Young Musicians’ Society and the Singapore
Tyler Print Institute. An all-star charity event
to benefit Mercy Relief, featuring the local arts
community, including such luminaries as Ivan Heng,
Emma Yong, Pam Oei, Gerald Chew, Keagan Kang and
others.) |
Ensemble,
script adaptor,
wardrobe coordinator,
Peace Flower
Team member |
2001
|
Hedda Gabler
(by Henrik Ibsen. Directed by Phil McConnell, Stage
Club. Drama Center, Singapore.) |
Props |
Dream of the Red Chamber
(by Cao Xue Qin, adapted by Henry Ong. Directed
by Tan Boon Hui, Action! Theatre, Singapore.) |
Supporting role
(Phoenix), minor roles (Golden Bracelet, Cherry,
Numbskull) |
Servant of Two Masters
(by Carlo Goldoni, new version by Tom Cone. Directed
by Justin Lee, Stage Club. Drama Center, Singapore.) |
Props |
The 2nd 42 Theatre Festival:
I Didn’t Know You Could Cook
(by Rich Orloff. Directed by Candice de Rozario
under the supervision of Krishen Jit, and featuring
David Leong as Jerome and Jay Espano as Mark.
Action! Theatre, Singapore. This bi-annual festival
seeks to provide new local artists with a platform
to showcase their talent.) |
Director |
2000
|
Painted Stories: The Tub
(by Li Xueying and Chew Directed by Li Xueying.
Action! Theatre, Singapore.)
|
Female lead (Cat/Cathy/Catherine) |
Painted Stories: Women On
Canvas - A Musical
(By Jonathan Lim and Bang Wenfu. Directed by Jonathan
Lim. Music Director, Bang Wenfu. Action! Theatre,
Singapore.) |
Ensemble (B) |
Chameleon
(by Denise Marsh and Bang Wenfu. Directed by Denise
Marsh. Music Director, Bang Wenfu. Jubilee Hall,
Singapore.) |
Stage Manager,
Backup singer (recorded) |
Hark the Jingle Red-nosed
Chestnuts
(adapted and arranged by Jonathan Lim, Sean Yeo
and Bang Wenfu. Directed by Jonathan Lim and Sean
Yeo. Music Director, Bang Wenfu. CHIJMES Hall, Singapore.) |
Sound operator |
Alice in Wonderland
(by Lewis Carroll. Adapted by Daniel Toyne. Directed
by Daniel Toyne, Stage Club. Victoria Theatre, Singapore.) |
Spotlight operator |
1999
|
American College Theatre
Festival, 1999
(Held in Indianapolis, Indiana, USA) |
Audition partner
to Tina Brown, Irene Ryan Acting Scholarship nominee |
Ah! Wilderness
(by Eugene O’Neill. Directed by Kathy Woods.
Clear Creek Country Theatre, a community theatre
in Nassau Bay, Texas, USA.) |
Supporting role
(Muriel), sound designer |
1998
|
The Magic Flute
(by WA Mozart. A collaboration between the GC Players
and the GC Music Department. Directed by David Tadlock,
Professor of Music. Orchestra directed by David
L Mosley, Professor of Music, Goshen College.) |
Principal role
(Third Spirit), production assistant |
The Prodigal Son
(by Warren Kliewer. Directed by Peter Scott, student,
Goshen College.) |
Stage Manager
|
1997
|
Twilight, Los Angeles 1992
(By Anna Deavere Smith. Originally performed by
Smith as a one-woman show, with each character’s
monologue transcribed verbatim from interviews with
people who were involved in the riots in Los Angeles
following the Rodney King police brutality case.
Directed by Lauren Friesen, Professor of Theatre,
with heavy contribution by the cast. Goshen College.) |
Ensemble (Richard
Kim, Teresa Allison, Mrs Young-Soon Han, Mrs June
Park) |
Student-written One-Acts:
The Magician’s Daughter and Boxes
(The Magician’s Daughter
by Bryan Falcon, directed by Renee Miller, theatre
student. Boxes by Mel Spohn, directed
by Rebecca Byler, theatre student, Goshen College.) |
Assistant live
music coordinator for The Magician’s Daughter,
sound designer and operator for Boxes |
Two By Chekov:
The Bear and The Marriage Proposal
(by Anton Chekov. The Bear directed by Matt Wiens,
theatre student. The Proposal directed by Doug Liechty
Caskey, Professor of Theatre, Goshen College.) |
Sound designer
and operator |
1996
|
Pygmalion
(by George Bernard Shaw. Directed by Lauren Friesen,
Professor of Theatre, Goshen College.) |
Minor roles (Bystander
and A Party Guest), sound designer & engineer,
accent coach |
Between Us
(A student recital by Catherine Friesen [not related
to Lauren] which included The Jewish Wife by Brecht,
Rockaby by Samuel Beckett and Savage/Love by Shepard
and Chaikin. Directed by Catherine Friesen, theatre
student, Goshen College.) |
Sound engineer
and operator |
Beyond Therapy
(by Christopher Durang. Directed by Jeremy Garber,
theatre student, Goshen College.)
|
Sound designer,
engineer and operator |
The Taming of the Shrew
(by Shakespeare. Abridged and directed by Ervin
Beck, Professor of English, Goshen College. This
was a play they studied in her Shakespeare course
with Prof. Beck. When it was discovered that there
were too many women and not enough men in the class
to fill all the roles, the decision was made to
do a cross-gender version of the play with the text
intact, with only the gender-specific pronouns switched.
This made for a very interesting perspective on
traditional gender roles.) |
Supporting role
(Gremia) (originally this was the male role of
Gremio), sound designer |
1995
|
The Imaginary Cuckold
(A one-act by Moliere. Directed by Bryan Falcon,
theatre student, Goshen College.) |
Supporting role
(Lisette, nursemaid to the ingénue) |
The Dining Room
(by HR Gurney. Directed by Lauren Friesen, Professor
of Theatre, Goshen College.) |
Sound operator |
As You Like It
(by Shakespeare. Directed by Lauren Friesen, Professor
of Theatre, Goshen College.) |
Minor role
(A Page)
production assistant
(mainly helped to build the set for credit as
part of her Theatre Production class)
|
1994 |
Let Man Live
(A one-act by Carl Lagerkvist. Directed by Lauren
Friesen, Professor of Theatre, Goshen College)
Originally, Ingrid was a male role named Richard,
but the decision was made to cast women in some
roles to make the ensemble more balanced. |
Ensemble
(Ingrid) |
1993 |
Immortality
(One-act written by Julian Cheong and Candice de
Rozario for the Third Seletar Institute Drama Festival
in Victoria Theatre. Won the Best Actress Award
for her role of Elvira Wong, and the play took the
Best Play Award.) |
Co-writer,
female lead
(Elvira Wong) |
Before 1993 |
Co-wrote, co-adapted, directed, coordinated,
designed sound and acted in various school productions. |
|
|
SCHOOL TOURING SHOWS |
|
2003
|
Global Village
(by Peggy Ferroa and Danny Jow. Directed by Danny
Jow, D’Rama Arts. A play about international
friendship and communication and how the use of
proper English can facilitate this.) |
Ensemble
(Kelly) |
One Nation, One Heritage
(by Eleanor Tan. Directed by Elnie Mashari, D’Rama
Arts. A play about interracial relations in Singapore.) |
Ensemble
(Joyce) |
When Things Go Wrong
(by Danny Jow and Eleanor Tan. Directed by Danny
Jow, D’Rama Arts. A musical that traces the
story of one family set against the background of
the history of Singapore from WWII to independence.) |
Lead
(Clara/Siew Mei) |
Up In Smoke
(by Jonathan Lim and Brian Seward. Directed by Jonathan
Lim, Imaginarts. An anti-smoking show commissioned
by the Health Promotion Board.) |
Ensemble
(Adriana Fumes, Tasha Tar, Nurse, Screaming Fan) |
2002 |
When Things Go Wrong
(by Danny Jow and Eleanor Tan. Directed by Danny
Jow, D’Rama Arts. A musical that traces the
story of one family set against the background of
the history of Singapore from WWII to independence.) |
Lead
(Clara/Siew Mei) |
|
TELEVISION |
|
2002
|
Mr Kiasu
“Delete SMS”
(MediaCorp Production 5) |
Bit Role
(T.T. Tua) |
Living With Lydia
“Thank Gott”
(MediaCorp Production 5) |
Guest Supporting
Role
(Nurse Receptionist) |
